Freshman Composition
~ The Writing Process ~
Caveat Scriptor: The following tips and guidelines for freshman composition
classes are provided by P. Aaron Potter, an instructor of English at the
University of California, Riverside, for
the benefit of his composition students. Other composition students
or instructors are welcome to make use of this material with the understanding
that while much of it reflects generally accepted writing practice, it is
also indicative of the personal tastes of the author and should in no way
be considered an authoritative document. This is advice I give to
my students on how to succeed at writing in my class -- your
mileage may vary. All material is solely a product of P. Aaron Potter
and does not reflect the official policy or opinions of the Department of
English, the University of California, the government of the United States,
or the United Federation of Planets.
The Writing Process:
In general, the writing process may be broken down into pre-writing activities,
the writing process itself, and post-writing activities such as revision
and proofreading. Any decent writer's manual, such as the St. Martin's
Guide to Writing or Lunsford's The Everyday Writer (both available
at the UCR bookstore) will suggest a breakdown of the writing process. The
following is the way I look at writing:
1. Creation -- Figuring out what to write
about
2. Research -- Collating information on your topic
3. Outline Draft -- Organizing your essay
4. Composition -- Getting it all down on paper
5. Pause -- The most important part of writing
6. Revision -- Re-approaching and improving your
essay
7. (Repeat previous 2 steps) -- Until it's right
8. Post-writing -- Bibliographies, title-pages, and other
extras
9. Proofreading -- The final once-over
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Creation -- the initial stage, during which
you must think of just what it is that you are going to write about.
This is, to my mind, the second most important stage of the writing
process. Consider who your audience is, what the focus of the class or assignment
is, and how significant your topic is. In a freshman composition course,
you will likely be somewhat limited in what you can write about: pay close
attention to the suggestions and limitations of your instructor -- there
is no quicker way to annoy a composition instructor than to ignore some essential
requirement of an assignment, so read the assignment sheet over twice, and
underline any statements which limit what you can or cannot write
about. Remember, limitation is your friend...too many writing projects
fail because the scope of the project is simply too big to cover in a single
essay. Don't try to cover the history of the Catholic Church in a five-page
essay. The biography of a single Pope might fit into that space...but
it would be even better if you limited yourself to discussing the ramifications
of a single incident in that Pope's life. The more tightly you can
define your topic, the more intense your writing will be.
Most importantly: choose a topic which interests you! If you
are not interested in your chosen topic, I gaurantee you it will show
up in your writing. You can't make a subject interesting to your audience
if it bores you. In addition, you likely won't spend enough time or
effort on your project to do well. Better to drift slightly off your
assigned topic (clear it with your instructor first) than to set yourself
up for three weeks of misery and twenty pages of bland, mediocre writing.
Once you have chosen a topic, define it as explicitly as possible -- use
a dictionary, an encyclopedia, or other appropriate reference book to help
you clearly outline the scope of your essay project, and don't go outside
of that scope once you've defined it.
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Research -- Once you have defined your topic,
it may be necessary to do some research. Clearly if you are presenting an
expository paper on a topic of general interest, you'll want to consult
some general sources first, and then follow up with more specific resources.
Again, consult an encyclopedia or dictionary if appropriate to make
certain you have defined your topic tightly enough. Make a list of
the terms, people, places, and events which are mentioned in your general
sources as related to your topic. Plug these terms into the search
engine of the UCR Library catalog to find sources which will provide you
appropriate background information on your topic. When you consult a source,
be certain to look at the bibliography of sources which contributed to it:
you will often find useful pointers to additional material related to your
field.
I highly reccomend you consult a reference librarian at this
stage in your research -- he or she will be able to direct you to databases
and topic-specific resources which relate to your field.
Be certain you make very careful notes about what sources you consult
during your research (even the ones you don't directly quote in your essay).
You must properly cite every single source you consult, quote, or
paraphase, usually in the form of footnotes or endnotes to your essay.
Consult your instructor as to the proper form for citations. Yes,
this is a lot of work, and it seems like a relatively minor issue: trust
me, it's not. Failing to cite your sources constitutes plagiarism,
and is grounds for an "F" in the course, and possible dismissal from the
University.
Note: even if you are relating a personal experience or viewpoint, and do
not feel the need for formal research, it is a good idea to spend some time
writing down everything you can recall about the incident, or every point
you wish to make over the course of the essay. Think of it as researching
yourself.
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Outline Draft -- You have now compiled a fairly
extensive amount of material related to your topic. The first step
in outlining your essay itself is to further limit your material. Consider
your thesis statement first. For most Freshman composition papers,
this should consist of a single sentence which contains the basic premise
or argument of your essay. It is usually placed near the beginning
of the essay, often at the end of the first paragraph, and serves to inform
your reader of what they can expect to learn throughout the course of your
essay. A thesis statement outlines the problem you hope to solve, the
question you hope to answer, or the point you seek to prove over the course
of your essay.
Once you have declared your thesis, go through your material and eliminate
any which does not clearly support or relate to your thesis. Because
of space limitations, you may need to further pare material down to the few
essential points or strongest arguments which support your thesis. I
know it feels difficult to throw away material you spent days researching,
but it is essential that your essay remain fairly tight in structure: in
a five page paper on the diamond industry, you can't afford a two paragraph
digression on the history of mining equipment.
Once you have chosen what material you wish to present, you need to figure
out what order you are going to present it in. There are several methods
for this, but the following is my favorite:
Open up your word processing software and open a new, blank document.
Write your thesis statement on the first line. Start a new paragraph.
Type in the first point, argument, bit of evidence, or element of your
essay -- make a complete sentence. Start a new paragraph. Type
in the next point, element, or argument. Continue in this manner until
you have a single sentence for every point you wish to present in your essay.
Make certain each and every one of those sentences relates clearly
to your thesis statement. Now use the cut and paste functions of your
word processing software to re-organize your points in a logical fashion.
For essays which relate an event, the history of a topic, or a personal
experience, use chronological organization (usually an introductory
paragraph, then all events in the order in which they occurred, usually followed
by a concluding paragraph). For argumentative or expository papers,
use topical organization. The trick with topical organization
is to create a logical flow between elements...related arguments should
be placed near one another in your essay -- this will also make it easier
for you to create logical transitions betwen paragraphs when you get to the
composition stage. In general, the more obvious, basic, or
unsophisticated points, or those with the least impact, should be placed
earlier in the essay. The more complex arguments, those which build
upon points previously presented in your paper, and those with the most impact
should be placed later in the essay. Remember that you will need to
introduce and define new topics and terms before you can base arguments on
them, so any introductory material should go early in your essay. By
building up towards your most influential, persuasive arguments, you give
the audience a sense of growing dramatic impact, and your final argument
functions similarly to the climax of a movie or a play. You rarely
see movies in which the big fight with the villain appears at the beginning
of the film! However, also remember that these are general guidelines,
not absolute rules! You may find it suits your purposes to grab your
reader's attention with a strong argument early in your essay, and then deliver
substantiating claims and supporting arguments as your essay develops.
The standard deductive essay structure is the most common organizational
scheme in high-school level composition: an introductry paragraph ending
in a thesis statement, in which you alert the audience of your
intentions...followed by a series of points or arguments, one per
paragraph...followed by a concluding paragraph in which you sum up your arguments
and restate your thesis. This is a fairly effective organizational
style with a long history, and which you have probably practiced many times.
It's also about as exciting as leftover ramen noodles. In Freshamn
composition, instructors like to see students break out of the overly-formal
structure of the standard deductive essay. Consider a simple change:
put a quote or dramatic statistic or some other element at the beginning
of your essay, before your introductory paragraph. This gives
a sense of immediacy and impact to your paper, and hooks your reader before
you bludgeon him or her to death with the (usually fairly bland) introduction
to your topic. If you're feeling particularly frisky, instead of starting
by declaring all of the arguments you plan on making over the course of your
essay, simply introduce your topic as a question or a problem to be solved...then
present your arguments and let your concluding paragraph(s) serve as the
answer to that question. By not showing all of your hand at once, you
(a) let your arguments build more naturally upon one another, giving the
appearance of logical progression instad of contrived organization, and (b)
encourage your readers to identify more with your logic, giving them the
sensation that they are discovering the answer to the problem along
with you, rather than having you force your conclusions down their
throats. Whatever your organizational choices, remember that the standard
deductive essay style is there to catch you if you start to get lost
in your own arguments.
This is also the time to consider the pacing of your essay. In
general: statistics, quotes and dialogue, descriptions of physical surroundings,
people, and objects, and active verbs tend to be fast paced elements
in writing. Definitions of terms, discussion of abstract concepts,
background information, complex verb structures and logical pronouncements
tend to be slow paced elements. In general, you will want to
vary slow and fast paced elements in order to keep your essay interesting:
too many slow elements in a row can wear your reader as they attempt
to decipher your language, or follow your extended logical arguments; too
many fast elements all at once can exasperate your reader as they search
for some depth or relief from a ceaseless stream of facts, quotes, and action
sequences.
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Composition --The trick here is that every
single sentence you have written during the previous step is going to become
a complete paragraph in your final paper, with the sentence itself forming
the topic sentence of the new paragraph. With standard font
and margins (about 250 words per page), you should figure on approximately
two-and-one-half paragraphs per page; that means that for a five page paper,
you should have prepared about fifteen sentences in your outline, including
your introductor paragraph and your conclusion.
When fleshing out your paragraphs, you should apply the same rules that you
used to construct your outline. Just as each point in the outline related
clearly to the thesis statement, so each sentence in your paragraph should
relate clearly to the topic sentence of that paragraph. Related points
or sentences should be near one another, and you should follow a chronological
or topical organizational scheme appropriate to your material.
Be certain to include logical transitions throughout your paper, both
between paragraphs and between sentences within a single paragraph. If
you are relating material chronologically, transitions will appear fairly
naturally: "First..." "Then..." "After that...." Be particularly careful
when using transitions which indicate causality ("Therefore..." "Because
of..." "Thus...") and do not use them unless you are certain of the cause
and effect relationship between the elements you are linking together (see
the section under logical flaws on the grading and marking
page).
When considering the issue of pacing at the sentence level, there
are a number of mitigating factors to the advice I gave at the end of the
outlining section above: complex, polysyllabic, obfuscatory or prolix prose
tends to slow your writing down. Short words go fast. One
single-clause, declarative sentence can convey a great degree of drama, and
adds zest to your writing: "Jesus wept." However, a long series of
short, single-clause sentences can act like speed-bumps on your reader: "I
entered the room. I picked up the chalk. I turned to the board. I
wrote my name." This can work if the action itself is particularly
dramatic: "I entered the crypt. The axe gleamed. I turned towards
the coffin. I raised the axe high over my head...." However,
this can only be sustained for so long, and eventually you'll need to drop
into a more standard, two or more clause sentence structure: "I shrieked,
and splinters flew as the axe bit deeply into the coffin's mahogany surface!"
As with many important writing skills, the best way to get a feel for
sentence-level pacing is to read.
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Pause -- The single most important step in the
composition process, and one which too many writers ignore, through
overconfidence, ignorance, or necessity. Now that you've finished the
composition process itself and you have a first draft of your paper, the
tendency is to want to finish the paper up immediately, so many students
jump directly into the revision and proofreading stages. Still worse
are those students who wait until the last minute (late on the day before
the assignment is due) to write their papers, and therefore must
either immediately perform any revisions or, worst of all, perform no re-writing
or proofreading at all. Short of turning in your paper late, this is
the fastest way to sabotage your writing and your grade, so listen
carefully:
DO NOT WAIT UNTIL THE LAST MINUTE TO WRITE YOUR PAPER!!! I know very
well you can write five pages in about two to three hours. However,
these will be five pages of substandard writing, nowhere near the quality
you can produce if you devote even half an hour to revising and proofreading
your paper. Trust me, your instructor is perfectly able to tell which
papers were written at ten p.m. the night before they were due and which
were not...and guess which ones receive higher grades.
The problem is that if you attempt to re-read your paper immediately after
you have finished writing it, your mind is still full of the words you
meant to say, the phrases you meant to use, and therefore many
grammatical and mechanical errors in your writing are invisible to you.
Even worse, your mind is still animated by the train of logic which
you used to reach your conclusions in your essay, so that glaring
inconsistencies, dropped steps, and other logical flaws are similarly invisible:
after all, you already know what it is you meant to prove, so the
point is already proven in your mind, making it nearly impossible to truly
test your own logic for flaws.
The solution is to take some time out after finishing your paper
before you revise and proofread. Do homework for other classes,
read a book, eat dinner, take a nap, see a movie: anything to distract you
and disengage your mind from the topic of your essay. I suggest at
least a day's time between the completion of your first draft and your revision,
but even half an hour is better than nothing at all. The intention
is to de-familiarize you with your own thoughts on the topic, so that you
can approach your essay from the unfamiliar perspective which a new reader
(such as your instructor) will have as they read your work for the first
time.
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Revision -- During the revision process, you
shuold approach your essay with the same critical eye you would bring to
an unfamiliar piece of writing. Certainly you should check for grammatical
mistakes, malapropisms, and other mechanical errors...but more importantly,
you must check your logic for dropped steps, insufficient evidence, unsupported
assertions, and other logical fallacies. One tactic is to imagine that
you are an attorney arguing a case, and that the essay in front of you is
a piece of evidence which supports the other side. Check for
appropriateness of tone relative to your audience and your material, pacing
of paragraphs and sentences, precision of word choice, etc. When you
find errors, fix them.
I advise you to read your paper out loud. This will often detect
grammatical errors such as subject-verb disagreement, as well as weaknesses
in pacing...if you find yourself skipping through blocks of short, single-clause
declarative sentences, consider joining them into slightly longer, more complex
sentences with appropriate conjunctions.
Remember, be bold in your revisions. Don't be afraid to tear out chunks,
even pages, of your essay, if the material doesn't clearly support or relate
to your thesis. Although you may decry the wasted time and effort you
put into such material, remember that your readers will not take your perspective
toward such digressions: to them, such passages are a waste of their time,
and they (and you) are better off without them.
I also advise you to ask someone else to read your essay: a room-mate, friend,
sibling, or parent. Often others can find errors in grammar, word choice,
and logic which escape you. On the UCR campus, consider taking your
essay to the peer-assistants at the office of Student Services behind the
physical education building (note: the best place to take your writing is
the Writing Resource Center, next to the English Department, where,
qualified instructors can assist you. Unfortunately, as of the
present writing, the Writing Resource Center has been closed due to lack
of funding -- please e-mail Chancelor Orbach and the administraion to register
a complaint regarding this situation).
One of the most useful things you can do is to take your draft to your
composition instructor! I know this seems either embarassing or
slightly unethical, as though you were cheating. Trust me, it isn't
either one. Writing is not something you are expected to know perfectly,
without help (if it were, Freshman composition wouldn't be the most ubiquitous
class in higher education). Your instructor is there to help you improve
your composition skills, and will be happy to assist you, as well as impressed
by your foresight in bringing a draft to their office hours. In addition
to general writing tips, your instructor will (obviously) be more able than
anyone to give you tips which will help your writing achieve a higher grade.
Even if you don't have a draft ready, feel free to bring in outline
drafts, notes, research ideas, whatever you have. It is likely that
your instructor will be able to suggest some avenues to explore, possible
organizational schemes, material you should be sure to cover, as well as
material you should avoid. If your instructor is not available, consider
consulting another composition instructor, such as one whose classes you
have previously taken. It may be that another instructor will not feel
they can read papers you are submitting in another instructor's class, but
it can't hurt to ask. IMPORTANT NOTE: If you find that the instructor of
your class is unwilling to look at or assist you with drafts before you hand
them in, I would advise you to drop that class if at all possible,
and find another class with an instructor who doesn't regard composition
as some sort of test. Composition is a skill, and learning it i a lifelong
process; it is not something you will ever "know," as you know the melting
point of selenium or the date of the battle of Waterloo. An instructor
who treats it as though it were (and I've never actually met one) might give
you a high grade in their class for your ability to recognize a gerund on
an objective essay...but they won't help you learn how to write.
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Repeat -- Every time you significantly
revise your paper, pause again for as much as a full day before re-reading
your revised essay. It is essential to maintain some critical distance
between yourself and your writing! This is yet another reason to give
yourself plenty of time: avoid last-minute-writing.
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Post-writing -- Once you are satisfied with the
essay proper, you can move on to post-writing projects. Write out your
bibliography (again, check with your instructor as to the appropriate format),
attach a title page, etc. This might also be a good time to re-check
your assignment sheet and make certain that your essay covers all the ground
required by the assignment. Relax a little. Have some coffee.
Pat yourself on the back for being wise enough to complete your essay
well before the due date.
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Proofreading -- Before you hand in your
paper, print it out if you haven't already, and go over it with a fine-toothed
comb with an eye only for grammatical and mechanical errors (see the
grading and marking page for details). Don't
attempt to fix content at this point: simply make certain your spelling is
correct (use the spellchecker on your word-procesing software), your verbs
and subjects agree, and so on.
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